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Guide

How to get cover artwork for your book

Four routes, what each actually costs, and the licensing traps that catch authors after publication rather than before. Written for people who have finished a manuscript and now face the part nobody warned them about.

First, what you are actually making

A paperback cover is not one image. It is a single flat sheet that wraps the whole book: back panel, spine, front panel, plus a quarter inch of bleed that gets trimmed off. Most authors commission only the front, then discover the rest exists.

The front panel alone, which is what you commission or make, needs to be the trim size plus 0.125″ of bleed on every side, at 300 DPI. For a 6 × 9 book that is 1875 × 2775 pixels. Ask for exactly that and you will avoid the most common rework.

The spine width depends on your page count, which depends on your finished interior — so the spine cannot be known until the book is typeset. This is why so many covers come back from Amazon rejected: the cover was built against an estimated page count and the real book ran longer.

The four routes

RouteTypical costBest when
Commission a designer$300–$800 The book matters commercially and you want it to compete on a shelf
Premade cover$50–$150 Genre fiction, where convention helps and speed matters
AI generation$10–$30/month You have a clear image in mind and time to iterate
Do it yourselfFree–$15/month Non-fiction, journals, or anything type-led rather than image-led

Commissioning a designer

Reedsy's marketplace, 100 Covers, Damonza and Ebook Launch all sit in this range. What you are buying is judgment about your genre, not just execution — a good cover designer knows what a thriller reader's eye expects in a thumbnail and yours probably does not.

Three things to specify when you brief them, because leaving them vague is where the money goes:

Premade covers

A designer makes a cover speculatively, you buy it and they add your title. The Book Cover Designer, GoOnWrite and Beetiful all sell this way. Cheaper and faster than commissioning, and the quality is often high because the designer made what they wanted rather than what a client described badly.

The trade: it is not exclusive unless you pay for exclusivity, and a genre reader may have seen it before. Check that before buying.

AI generation

Midjourney, Ideogram, Flux and similar tools can produce genuinely good cover art, and for non-fiction and speculative fiction they are now a serious option. Two things to be careful about.

Licensing is not automatic. Whether you own commercial rights to an AI-generated image depends on the tool, your subscription tier, and that tool's current terms — several give commercial rights only to paying subscribers, and some restrict use above a revenue threshold. Read the terms for the tier you are actually on, on the day you generate. Do not assume.
Amazon requires you to disclose AI use. KDP asks during upload whether your content — text, images, or translation — was AI-generated. The obligation is yours as the publisher. Answer honestly; the question is about disclosure, not permission.

Practical advice if you go this route: generate at the largest size the tool offers, and generate the image without the title on it. Text rendered by an image model is unreliable at cover sizes, and typesetting the title separately gives you a cleaner result and the ability to change it.

Doing it yourself

Canva, Affinity Publisher and GIMP all work. This route succeeds most often for books where the cover is type-led — business, memoir, self-help, journals — and fails most often for genre fiction, where readers judge in a thumbnail against professionally made competition.

If you do it yourself, the single highest-leverage move is to look at the top twenty books in your category on Amazon, at thumbnail size, and notice what they have in common. Then do that. Originality in a cover is usually a way of failing to signal genre.

The specifications, in one place

Trim sizeFront panel with bleed, at 300 DPI
5 × 81575 × 2475 px
5.5 × 8.51725 × 2625 px
6 × 91875 × 2775 px
7 × 102175 × 3075 px
8.5 × 112625 × 3375 px

What the artist needs to know before they start

Whichever route you take, the brief is the same four things, and getting them wrong costs a redraw rather than an edit.

The thumbnail test

Almost nobody sees your cover at full size. They see it about 160 pixels tall in an Amazon search result, next to eleven others. Before you accept any artwork, shrink it to the size of a postage stamp and look at it.

If the title is unreadable, the image is a grey smudge, or it looks like four other books on the page, the cover has failed at the only size that sells copies — however good it looks on your screen. This is the single most common mistake in self-published covers, and it costs nothing to check.

Why the spine cannot be settled early

The spine width is the page count multiplied by the paper thickness: 0.002252 inches per page on white stock, 0.0025 on cream. So a 300-page book has a 0.68-inch spine and a 302-page book does not.

Which means the cover wrap cannot be finished until the interior is finished. Commission the artwork whenever you like — but the wrap gets built last, against the page count of the file you are actually going to upload. Every rejected cover we have seen comes from ignoring that order. The calculator will show you the number for any page count and stock.

What to check before you commit

Once you have your artwork

We assemble it into the full print cover — the cover wrap KDP asks for: back panel, spine, bleed and barcode area in one file — plus a matching Kindle cover, with the spine width measured from your actual interior PDF rather than estimated. $39 a book.

See how it works